Here’s just about every dolly shot in Spike Lee’s movies, supercut to Cymande. Watch them walk without walking as the background rolls away, recedes or spins. Works optimally for intoxicated or morally troubled characters. Ooh, so introspective. The first time you see Spike do this, it’s like, woah. The second time, it’s like, hey wait… And then, it’s there he goes again. And again. And again. Hey, all directors have their signature move — Wes Anderson’s POV, Tarantino’s corpse-eye-view. But can’t you almost hear the dolly wheels squeaking?