Seems like every other movie ever from Metropolis to Enter the Void is in this supercut of actors are looking at the camera, dramatically. I mean, me. They’re looking at me. Well hello, Leeloo. Hey, Drive guy. I know, Hunter S., right? Those bloody animals over there. Whoever invented this cinematic trope of breaking down the fourth wall to tickle the viewer’s needy narcissism is a genius! It gets a little intense at around 3:00, organized into snippet series by threatening, gun-pointy and bawling. Hmm, pretty quality supercut there, but Giulietta Masina’s teary eyes from Nights of Cabiria should have been the last because it’s perfect.