Here’s a great supercut that slices shots from Wes Anderson’s filmography straight down in half –right along the nose-line of all The Royal Tenenbaums, through every line of that stop-motion furry thing and… wait till you see The Grand Budapest Hotel. It explains a lot. Wes’s compulsion for perfection, balance and order? You have no idea. Nice job, Kogonada. Wonderful Malick fire and water supercut, too.