Imagine my surprise in opening the catalog for “Calligraffiti,” Jeffrey Deitch and Leila Heller’s recently opened graffiti show, to see the front and back inside covers adorned with images of wrongly attributed, graffiti-tagged canvasses that I helped facilitate about 11 years ago. “Michael Anderson’s Studio Visits by the Writers I, (detail) 1983-84,” reads the incorrect description. […]
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