Tag: Lindsay Howard
This weekend, digital art went big time. Have you recovered yet? Most of the digitally-focused artists at Paddles On! have never been inside an auction house before. If curator Lindsay Howard was not at Phillips to give me a tour of all the works for sale before the auction, I am not sure I’d have ventured to this particular […]
Nicolas Sassoon’s Waterfall 6 is in the window of Phillips (starting bid: $800) and it’s not as disorienting as I thought it would be. I remember when I would stare into its pulsating glowing waves online and later, fiddling Rafaël Rozendaal’s responsive gradient websites until happy. Right now, IfNoYes.com is projected in its own room at Phillips (starting bid: $4,000), with a […]
The first-ever digital art major auction lot highlights have gone public and they are… Silvia Bianchi + Ricardo Juárez, Petra Cortright, Alexandra Gorczynski, Joe Hamilton, Ilja Karilampi, Brenna Murphy, Aude Pariset, Sabrina Ratté, Casey Reas, Rafaël Rozendaal, Nicolas Sassoon, Molly Soda, Kate Steciw, Mark Tribe, Clement Valla, Addie Wagenknecht, and Jamie Zigelbaum. …and more. “Paddles On!” at […]
Lindsay Howard, who curated the F.A.T. Lab’s epic five year retrospective at Eyebeam and organized the 48-hour #GodsMode art hack day at 319 Scholes in Brooklyn, is curating the first-ever digital art auction at Phillips. Currently, there’s open call for submissions through September 16th. “Official press release from Phillips is forthcoming, right now we’re focused on getting […]
“There’s some trademark violation going on, obviously. Whatever.” F.A.T. artist Aram Bartholl’s talking about Evan Roth’s project Ideas Worth Spreading. Pop on a headset, pop in your own Powerpoint or just stand next to the giant red “TED” and it’s your TED Talk. Sup? It’s an all F.A.T. international reunion at the Eyebeam Art+Technology Center’s Lindsay Howard-curated […]
“I wanted to create a game that touched infinity,” Jonathan Minard explains. We’re in the dark lower level of 319 Scholes at the opening Art Hack Day: God Mode. To his right, bio-glitch artists in lab-coats explain How to be Anonymous in the Age of the DNA Surveillance. Behind him, visitors wave their arms, commanding mountains to morph […]
“It’s about the positive outcome of a disaster,” Eyebeam Art+ Technology Center resident artist Jonathan Minard tells ANIMAL. One of New York’s most inspiring creative spaces suffered $250,000 in dammage to AV equipment, books and computers from Hurricane Sandy’s toxic, corroding, 3-foot floods. It took a toil on Eyebeam’s precious archive of analog and digital media spanning 15 years of […]
