January 24, 2013 Eugene Reznik

“Tokyo 1955–1970: A New Avant-Garde,” currently on view at MoMA, goes to show that Modernism was plural — not a Western aesthetic exported across the world, but concurrent post-war global movements centralized in various urban “incubators” — an era of Modernisms. Towards the end of the exhibition in the final gallery opposite masterful photographs by Daido Moriyama […]

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