The Beautiful Horror of Decomposed Nitrate Film Reels
February 20, 2013 | Julia Dawidowicz
These warped, surreal images demonstrate what happens to 35mm nitrate film clippings after decades of decomposition. The frames, mostly from cinema’s early years (1897-1915), are among the 23,491 clippings that the late Italian film historian Davide Turconi collected throughout his lifetime. The distortion of the film clippings’ subjects — now presumably dead — creates a fitting, macabre effect.
Joshua Yumibe with the Turconi Project explains:
Such frames make up a relatively small yet remarkable portion of the collection. As these shapes and hues have tragically faded in disintegrating emulsion, we are left with fragments that, through the workings of time, have transmuted into breathtaking images akin to abstract works of art.
Here's a page from William S. Burroughs scrapbook -- the 20th century artists' proto-Tumblr, a diary-like collection of notes, quotes, news clippings, snapshots and other ephemera that eventually forms the inspiration for definitive work. A collaboration with Brion Gysin, Burroughs' book features early iterations of the "cut-up technique," later popularized…
Movies consist of countless frames of countless faces in countless situations. How can a movie's "identity" be summed up into one image? This is what Seoul-based artist duo Shinseungback Kimyonghun sought to find out with their project Portrait, a series of algorithmically-generated composites of faces from films like Kill Bill: Vol. 1, The Matrix, Oldboy and Taxi Driver.…
For his project Bacteriograms, Finnish photographer Erno Erik Raitanen wanted to see if he could grow a microbiological culture on film instead of in a petri dish. The experiment was a success. The bleeding, abstract images of Bacteriograms are "self portraits," in the biological sense: he created them by rubbing his own saliva on large-format,…