Tag: Banksy
A day after rolling out his “Sirens of the Lambs” truck, Banksy gets back to stenciling and strikes theological overtones with the newest piece in his ongoing series. It’s called “Concrete Confessional” and is located within a concrete block on 7th Street off of Cooper Square in the East Village, right across the street from […]
Just about everything Banksy has put up in New York this month has been defaced in some way or destroyed outright shortly after it was publicized. His first Better Out Than In piece was no exception–first, it was tagged up, then the sign was stolen, and the Smart Crew put up a modified version, and finally, […]
This afternoon, I spotted Banksy’s “Sirens of the Lambs,” the 11th installment of his ongoing Better Out Than In public exhibit. He describes it as “a slaughterhouse delivery truck touring the meatpacking district.” It’s comprised of a truck load of shrieking, stuffed animals, some of which have been mechanized, others that are apparently being animated […]
As was expected, the next piece of Banksy’s “Better Out Than In” series is this truck full of squealing stuffed animals. It’s called The Sirens of the Lambs, and it’s apparently going to be rolling through the Meatpacking District today. The audio guide isn’t working for us, but we’ll update if and when it does. UPDATE:The truck […]
Banksy’s latest Better Out Than In piece arrives in a markedly more off-the-beaten trail neighborhood than any of the work so far: East New York, Brooklyn. It’s got none of the overt political commentary of yesterday’s Wikileaks-referencing piece: this one is just a small stenciled Beaver, knocking down a “No Parking” sign. We’re on our way to […]
There’s all sorts of theories on why Banksy’s NYC-based Better Out Than In work is getting stomped out so quickly. According to one “graffiti historian,” writers don’t like Banksy’s art because he’s “pandering to the mainstream.” But that’s not it, graffiti has always attempted to poke its stick into the mainstream, even while its participants–for […]
Here’s the latest piece in Banksy’s Better Out Than In series. It’s a lot bigger than what we’ve seen before, spanning the sides of both a car and what looks like the back of a box truck, and depicts three horses wearing night vision goggles along with warplanes, crosshairs, and anguished-looking people. It’s somewhere on the Lower East […]
The Village Voice, an alt weekly that has been steadily suffering from a mass expulsion of journalists (and relevancy), was handed a great scoop: an exclusive interview with Banksy. Journalist Keegan Hamilton says he conducted the interview over email. It was set up by Jo Brooks, Banksy’s bonafide publicist. In addition to dishing details about […]
That was fast. The door on Freeman Street where Banksy put his “Plato” piece in Greenpoint has already been completely removed, hinges and all, leaving an empty entranceway. Michael, the owner of the building (he didn’t want to give a last name), said he’d be taking the door off the premises, and that he didn’t […]
Banksy was a little later than usual in posting his Better Out Than In piece today, but a few minutes ago, his website confirmed that it’s in Greenpoint. Not much to go on this time: just a light blue door with some bricks next to it, and the text of the piece itself: I have a theory […]
