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February 13, 2013 Marina Galperina

This morning, every art media outlet ever descended upon New Museum’s much-hyped “NYC 1993: Experimental Jet Set, Trash and No Star” exhibit preview. Yes, like the Sonic Youth album. Sonic Youth is very 1993. Attempting to seriously critique an exhibit like this somewhat echoes the challenges of curating it (except for the curating part): How does one express, encompass, […]

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February 12, 2013 Eugene Reznik

In 1996, Gerardo Nigenda became one of the early pioneers of the seeming oxymoron, “blind photography.” He had been working in a library for the blind in Oaxaca where they had also built an adjacent center for photography. Proximity led him to pick up a camera and what was first a game or experiment soon […]

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February 11, 2013 Eugene Reznik

Here’s the staff at Brooklyn Museum hanging Ghanian artist El Anatsui’s monumental bottle cap wall sculpture, a triumph of art handling no doubt worthy of the Art Handling Olympics. Only takes them about a minute, too — sort of. Anatsui’s first solo exhibition opened last Thursday, featuring a number of these massive installations made from […]

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February 8, 2013 Marina Galperina

Yes, that lamp has DEER HOOF FEET. No, that’s not Twin Peaks. Remember Aram Bartholl’s digital art glory hole at the Museum of Moving Image in Queens? Volume 5 in launching today! Through March 14, bring your blank dvd to the DVD Dead Drop and it shall spit out the Best of Fach & Asendorf Gallery of net art, compiled by […]

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Marina Galperina

This is Jeff Gipe’s contribution to “Single Fare 3.” Eye-catching, isn’t it? Following the grand success of “Single Fare” and “Single Fare 2,” Michael Kagan, Jean-Pierre Roy and RH Gallery are about to unveil yet another exhibit of New York City MTA MetroCards reincarnated as art. Details here. They’re amazing. Seriously. They look so good. You should go. “Single Fare,” Various […]

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February 6, 2013 Eugene Reznik

Here’s a page from William S. Burroughs scrapbook — the 20th century artists’ proto-Tumblr, a diary-like collection of notes, quotes, news clippings, snapshots and other ephemera that eventually forms the inspiration for definitive work. A collaboration with Brion Gysin, Burroughs’ book features early iterations of the “cut-up technique,” later popularized in sections of his loopy […]

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February 5, 2013 Eugene Reznik

Snapshots, portraits, landscapes — for about 175 years, most photographers have used the camera to depict what we can see. “But another tradition exists,” writes gallerist Jeffrey Fraenkel: a parallel history in which photographers and other artists have attempted to describe by photographic means that which is not so readily seen: thought, time, ghosts, god, […]

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Eugene Reznik

Hacker/artists Paolo Cirio and Alessandro Ludovico take the private information you post online and free the virtual you from the “you” you. Face to Facebook, showing in New York for the first time this month, is a multimedia installation of 1,000,000 appropriated, or “stolen,” Facebook profile pictures matched up simply by facial expression on a custom […]

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February 1, 2013 Eugene Reznik

The latest project from New York-based Libyan photographer Jehad Nga is a huge step away in style from his well-recognized crisis and conflict photojournalism. The Green Book‘s title refers to a 24-chapter quasi-philosophical propaganda tome of the former Libyan leader Muammar Gaddafi. The book was issued to all Libyans during his reign as “required reading… an inane […]

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January 30, 2013 Eugene Reznik

William Eggleston, Nan Goldin, Ryan McGinley, Martin Parr, Terry Richardson, and Stephen Shore — under one roof, on one exhibition bill, with all new work. How?! Turns out, it was pretty simple: #swag. Vice has the full interview with curator Ken Miller who organized the show, which opens tomorrow at Aperture Foundation, after Fujifilm approached […]

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