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August 12, 2014 Marina Galperina

The new course list is out! The mostly anonymous Bruce High Quality Foundation shifted focus to the Bruce High Quality Foundation University this summer, providing free seminar-style courses in art and criticism. This Fall, the courses include Painting Critique (“slow, dense and intimate, we are going to say yes, and… to just about everything, as we slog through each […]

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March 14, 2014 Marina Galperina

“The art world is still a boys’ club,” artist Mollie McKinley told ANIMAL. Before a nude performer bent herself over Z Behl’s giant-horned sculpture and the crowd flooded in, we crashed the instal of this year’s massive Brucennial group show in the Meatpacking Disctrict. Soon, the lines would stretch around the block in the freezing cold and the GoPro we taped to the […]

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February 20, 2014 Marina Galperina

Partially anonymous artist collective The Bruce High Quality Foundation is having it’s last ever Brucennial, appropriately entitled “The Grand Finale,” from March 7 through April 4. BHQF’s packed biennial event has previously received enamored reviews like these: You might view the jampacked, multifloor installation of works by close to 400 artists as a populist, radically inclusive survey of what artists in […]

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January 31, 2014 Marina Galperina

Bruce High Quality Foundation University is “a learning experiment” that offers free classes to artists and art enthusiasts, from performance and sculpture critique to Brad Troemel’s Chat Room of-/post-internet lecture and discussion sessions. BHQFU is now offering a special artist residency program at their Avenue A loft, for five artists of different disciplines to work […]

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June 27, 2013 Kyle Chayka

Opening tomorrow at the Brooklyn Museum is the much anticipated retrospective of the anonymous artist group The Bruce High Quality Foundation. The exhibition, Ode to Joy, 2001–2013 will feature a massive body “less than 17,000” works. The group, “created to foster an alternative to everything,” is often hyped for their the decision to keep their identities hidden as artists’ […]

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